< Louise's Project


  • Louise's Project
    Inspiration


  • feclark:

'Blue Moon Fades', 5” x 5”, acrylic on paper, 2013, by F. E. Clark
This painting is my for December artist trade with Fadeproof - I hope he likes it!!!  (apologies for quality of scan - painting has a shiny surface). 
If anyone would be interested in being my trade partner for January - do get in touch.
'A Little Less Conversation' - This week’s blog - click here to read - on my continuing adventures in cyberland, artist’s trades and frustrating week.
F. E. Clark.
  • feclark:

    'Blue Moon Fades', 5” x 5”, acrylic on paper, 2013, by F. E. Clark

    This painting is my for December artist trade with Fadeproof - I hope he likes it!!!  (apologies for quality of scan - painting has a shiny surface). 

    If anyone would be interested in being my trade partner for January - do get in touch.

    'A Little Less Conversation' - This week’s blog - click here to read - on my continuing adventures in cyberland, artist’s trades and frustrating week.

    F. E. Clark.

    • 1365
    • 1365
    • 1660
    • 1660
  • (Fuente: suafilhagosta, vía eatingisfab)

    • 132101
    • 132101
  • (Fuente: fuckthebetterlife, vía fluerly)

    • 462314
    • 462314
  • industryicons:

Mariacarla Boscono for Givenchy Prisme Libre 2014, photographed by Daniel Jackson
  • industryicons:

    Mariacarla Boscono for Givenchy Prisme Libre 2014, photographed by Daniel Jackson

    (vía labelleotero)

    • 1661
    • 1661
    • 24168
    • 24168
  • (Fuente: 860106, vía scruples)

    • 237556
    • 237556
  • asylum-art:

A Towering Figure Enclosed Within a Glass Greenhouse by Susanne Ussing
Susanne Ussing, ‘I Drivhuset’ (‘In the Greenhouse’), 1980. Ussing was a Danish artist and architect, with a special interest ceramics. This mixed-media piece brings together the world of sculpture and architecture by placing the former inside the latter. Classical parallels are easily conjured here. Like a latter-day (and feminine) Zeus at Olympia, this ginormous female figure is too large for the confines of the glasshouse, which looks like it might shatter were she to move too freely; like a Crouching Aphrodite of immodest proportions, she looks vulnerable and coquettish all at once. At the same time, her skin of newspapers and skeleton of metal and wood thoroughly modern - not quite distracting from the gracefulness of her pose, but instead under-girding her with firm foundations.


Susanne Ussing (1940-1998, Danish) - I Drivhuset installed at Ordrupgaardsamlingen (In the Glasshouse), Denmark, 1980. It is composed of granite and porous materials.
  • asylum-art:

    A Towering Figure Enclosed Within a Glass Greenhouse by Susanne Ussing

    Susanne Ussing, ‘I Drivhuset’ (‘In the Greenhouse’), 1980. Ussing was a Danish artist and architect, with a special interest ceramics. This mixed-media piece brings together the world of sculpture and architecture by placing the former inside the latter. Classical parallels are easily conjured here. Like a latter-day (and feminine) Zeus at Olympia, this ginormous female figure is too large for the confines of the glasshouse, which looks like it might shatter were she to move too freely; like a Crouching Aphrodite of immodest proportions, she looks vulnerable and coquettish all at once. At the same time, her skin of newspapers and skeleton of metal and wood thoroughly modern - not quite distracting from the gracefulness of her pose, but instead under-girding her with firm foundations.

    Susanne Ussing (1940-1998, Danish) - I Drivhuset installed at Ordrupgaardsamlingen (In the Glasshouse), Denmark, 1980. It is composed of granite and porous materials.

    • 4154
    • 4154
  • ieg:

untitled
    • 4248
    • 4248
  • (Fuente: bathgod, vía paraeiso)

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    • 6599